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Commonly viewed as a revolutionary and propagandist Herman Gorter (1864-1927) is often overlooked despite his lasting contribution to Dutch poetry. This selection of thirty-one poems, translated by Paul Vincent, focuses on Gorter's experimental love and nature lyrics in Poems of 1890, and the Introduction sets the poems in the context of his earlier seminal work 'Mei' (May) as well as his often neglected Socialist verse.The lyrical expansiveness, consistent use of rhyme and vivid imagery of the Dutch landscape that characterises 'Mei' evolves into more fragmentary verse in Poems of 1890, and the joyful celebratory tone of Gorter's poetry increasingly co-exists with a sense of isolation and introspection. This can be viewed in the context of a rapidly changing political scene in Europe in the prelude to the First World War and the Russian Revolution. This is a valuable collection that revisits Gorter's literary and political legacy, and introduces English-speaking readers to a selection of his most accessible and lyrical poems.
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Frank, conversational and suffused with a dry humour, this book is a record of poet and novelist Lieke Marsman's diagnosis, events and thoughts of having bone cancer. An energising mix of prose and lyric, the poems offer readings of both the writer and her environment. Translated by poet Sophie Collins.
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In deze serie verschijnen monografieën en thematische bundels die het resultaat zijn van zowel individuele studies als van samenwerkingen tussen wetenschappers die werkzaam zijn op het gebied van de neerlandistiek.
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Commonly viewed as a revolutionary and propagandist Herman Gorter (1864-1927) is often overlooked despite his lasting contribution to Dutch poetry. This selection of thirty-one poems, translated by Paul Vincent, focuses on Gorter's experimental love and nature lyrics in Poems of 1890, and the Introduction sets the poems in the context of his earlier seminal work 'Mei' (May) as well as his often neglected Socialist verse.The lyrical expansiveness, consistent use of rhyme and vivid imagery of the Dutch landscape that characterises 'Mei' evolves into more fragmentary verse in Poems of 1890, and the joyful celebratory tone of Gorter's poetry increasingly co-exists with a sense of isolation and introspection. This can be viewed in the context of a rapidly changing political scene in Europe in the prelude to the First World War and the Russian Revolution. This is a valuable collection that revisits Gorter's literary and political legacy, and introduces English-speaking readers to a selection of his most accessible and lyrical poems.
Dutch poetry. --- Gorter, Herman, --- Socialism, Communism & Anarchism --- Political Science --- Law, Politics & Government --- Dutch literature --- Dutch poetry
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Dutch poetry. --- Philosophy, Dutch. --- Dutch philosophy --- Flemish poetry --- Dutch literature
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Notities over Nederlandstalige poëzie.
Poetry --- Dutch literature --- Dutch poetry --- poëzie --- History and criticism
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In deze serie verschijnen monografieën en thematische bundels die het resultaat zijn van zowel individuele studies als van samenwerkingen tussen wetenschappers die werkzaam zijn op het gebied van de neerlandistiek.
Dutch poetry --- Travel in literature. --- History and criticism.
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poëzie --- Dutch literature --- Dutch poetry --- -Dutch poetry --- -Flemish poetry --- -#A9212A --- Poëzie --- Flemish literature --- Flemish poetry --- Littérature néerlandaise --- Nederlandse letterkunde --- #A9212A
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Dutch literature --- Nederlands 875 --- Gedichten --- Poëzie --- Dutch poetry --- 19th century --- 20th century --- Littérature néerlandaise --- Anthologies
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Of Great Importance is Nachoem Wijnberg’s 16th volume of poetry. One of the most prominent living Dutch writers, Wijnberg’s poetry is known for its deceptively plain language and his poems, according to the poet himself, can be read well by anyone who can read a newspaper. The poems in Of Great Importance engage with statecraft, economics, and world history, lyricizing taxes and debts, stocks and flows, citizenship and labor contracts, notaries and accountants, factories and strikes, freedoms and fundamental rights, banks and railroads, property rights and codes of honor, sieges and treaties, gods and generals, how to make money and how to win elections, when to declare war and when to found a new state. Wijnberg’s engagement with these and other related topics is based on his belief that economics, politics, and history — and all of the tangled relations therein, no matter how asymmetrical — concern how people live together, and his poetry is a creative form of historiography that attends to tracing the theater of an affective commonwealth, in which he builds upon the best work of those thinkers and poets who came before — including Karl Marx, John Maynard Keynes, Heinrich Heine, Czesław Miłosz, and especially C.P. Cavafy. Ultimately, Wijnberg understands that “Something important that changes the world only happens if there is a lever with a fulcrum you cannot know enough about,” and yet his poetry gorgeously illuminates this fulcrum.
Poetry by individual poets --- Dutch poetry. --- Flemish poetry --- Dutch literature --- poetry --- world history --- geopolitics --- economics --- statecraft
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